Reformatting the planet, and going overboard with links.

The first season of Penny Arcade: The Series is over, and they haven't started the new season yet, so they've been putting up other programs on PATV.

2 Player Productions (actually comprised of four people. Weird, I know.), the production company that produced the first season of Penny Arcade, produced a documentary about chip music called Reformat The Planet. I originally saw it on Pitchfork TV a while back, but now it's on PATV.

I talked about Tristan Perich in my last entry. He has a few scenes in Reformat The Planet.

Jesse Novak is also in Reformat The Planet. I know of him from the comedy group Olde English. His brother is BJ Novak, the writer of, producer of, and actor that plays Ryan Howard on the U.S. version of The Office. I believe Jesse has written music for The Office at least once. One of the Dunder Mifflin jingles in that episode where the office makes a commercial for the company.

I love the concept of chip music, but I rarely hear any I like. Reformat The Planet is an interesting movie, but I didn't really hear any music that interested me in it. There's a very gimmicky aspect to chip music where regardless of how well composed a piece of music is, as long as someone uses that medium to make music, it's automatically considered as valid as any other chip music. I rarely hear what I consider to be interesting compositions and textures in the medium of chip music. I'm not saying any music is invalid, but I wish people would be more daring. I think that the reason old video game music is so memorable and moving has more to do with the interesting compositions rather than the 8-bit sound.

Tristan Perich's 1-Bit Symphony

I've thought a lot about ways of presenting music, but usually my ideas are based on new or interesting ways of presenting widely-used, existing formats, such as CD, vinyl, or MP3's.

One of the most interesting ideas I've come across (Tyler from my previous entry linked to it from his facebook page) is this:



"A complete electronic circuit - programmed by the artist and assembled by hand - plays the music through a headphone jack mounted into the case itself."

It's not a recording in the traditional sense of the word. I think it's probably more accurate to think of it as an electronic music box, and I'm fascinated by music boxes.

Another interesting way of looking at it is that it is not a stretch to see the mounted circuit itself as minimalist album art when it's in the context of a CD jewel case like that. I love the idea of physical objects being used in album art rather than just images. This is not only a physical object, but it's what plays the music. The album art plays the album.

Of course, I think one downside to a presentation like this is that it's such an interesting idea that it is in danger of becoming a gimmick and overshadowing the music itself. Although that doesn't decrease the validity or quality of the music, people like me are only talking about the album because of the presentation and not because of the music. Maybe that's alright though, because maybe the music isn't the only part of the art as a whole. Maybe the circuit idea isn't there to compliment the music, but the other way around, and the music is there to compliment the idea of the circuit. That doesn't mean that the music is any less important. It's more like a film score complimenting a film. The music is very important and enhances the film, but the film itself, as a whole, is the most important thing.

You can download a free recording (provided by The Rambler) of the first movement in the 1-Bit Symphony by clicking here.